Typography is still dominated by letterforms from the first hundred years of European printing. What were the processes and attitudes that lie behind these forms? Fred Smeijers is a type designer who learnt to design and cut punches: the key instruments with which metal type is made. This book is a work of practical history, with much contemporary relevance.
Counterpunch is packed with ideas. It is both an investigation into the technics of making metal type by hand, and a consideration of present questions in type design. The discussion takes in the fundamentals of designing and making letters, so that the book can be read as a guide to type and font construction in any medium. Lively, pointed drawings and photographs complement an equally fresh text.













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