Michele Gordigiani, 1864 – Portrait of a Woman (Marianna Panciatichi, Marquise Paolucci of Roncole, from 1835 to 1919, or her sister-in-law, Beatrice Ferrari Corbelli-Reggio, Lucciano Countess) – fine art print

“Portrait of a Woman (Marianna Panciatichi, Marquise Paolucci of Roncole, from 1835 to 1919, or her sister-in-law, Beatrice Ferrari Corbelli-Reggio, Lucciano Countess)” was painted by Michele Gordigiani in 1864. The masterpiece measures the size 25 3/16 x 20 1/2 in (64 x 52 cm). Oil on canvas was used by the painter as the technique for the piece of art. Today, this artwork is part of the art collection of The Metropolitan Museum of Art in New York City, New York, United States of America. This public domain piece of art is included with courtesy of The Metropolitan Museum of Art, New York, Purchase, Anne Cox Chambers Gift, 2011. The creditline of the artpiece is: Purchase, Anne Cox Chambers Gift, 2011. Moreover, alignment is portrait and has an image ratio of 1 : 1.2, which implies that the length is 20% shorter than the width. Michele Gordigiani was a painter, whose style can be attributed mainly to Realism. The Realist artist was born in 1835 and passed away at the age of 74 in 1909.

Pick your desired product material

The product dropdown menu ofers you the chance to select a material and a sizeaccording to your personal preferences. You can choose among the following product customization options:

• Printed acrylic glass (with real glass coating): A glossy acrylic glass print, which is often described as a UV print on plexiglass, will transform your favorite original into great wall décor. The artwork is printed with modern UV print machines. This creates the effect of deep, intense colors.
• Printed poster (canvas material): Our poster is a printed flat canvas paper with a slight finish on the surface. Please bear in mind, that depending on the size of the poster print we add a white margin of something between 2-6 cm around the artwork, which facilitates the framing with your custom frame.
• Canvas print: The printed canvas, which shall not be confused with a painting on a canvas, is an image printed on a UV direct printer. It produces the unique impression of three-dimensionality. Canvas Prints have the great advantage of being relatively low in weight, which means that it is easy and straightforward to hang the Canvas print without extra wall-mounts. Therefore, a canvas print is suited for any type of wall.
• Aluminium dibond (metal print): An Aluminium Dibond print is a material with an impressive depth effect. For the Print On Aluminum Dibond, we print the chosen work of art onto the aluminium composite surface.

Important legal note: We try our best in order to describe our art products as accurate as possible and to illustrate them visually. Nevertheless, the pigments of the printing material, as well as the imprint can vary somehwat from the representation on your device’s screen. Depending on your screen settings and the condition of the surface, not all color pigments are printed as realistically as the digital version depicted here. In view of the fact that the art reproductions are processed and printed manually, there may also be slight differences in the motif’s size and exact position.

Structured article information

Background information on the original artpiece

About the artist

This text is copyrighted ©, www.artprinta.com (Artprinta)

Artwork information as provided from The Metropolitan Museum of Art website (© – by The Metropolitan Museum of Art – The Metropolitan Museum of Art)

Gordigiani was the premier portraitist of the Risorgimento, the period of modern Italian unification. This portrait, commissioned by marchese Ferdinando Panciatichi (1813–1897), scion of a distinguished Florentine family, depicts the patron’s daughter or daughter-in-law. That it was one of a pair—the pendant is now unlocated—can be deduced from the original receipt for the exuberant gilt wood frame with silk velvet elements the painting still bears, a masterpiece of the intagliatore, or carver, Niccola Ricci (active 1848–1866). The frame’s opulence is evocative of the years 1864–71, during which Florence served as King Vittorio Emanuele II’s temporary capitol.